Abstract
| Originalsprog | Engelsk |
|---|---|
| Publikationsdato | 2007 |
| Antal sider | 15 |
| Status | Udgivet - 2007 |
| Begivenhed | Designing for User Experience (DUX) - Chigago, USA Varighed: 8 okt. 2007 → 10 okt. 2007 |
Konference
| Konference | Designing for User Experience (DUX) |
|---|---|
| Land/Område | USA |
| By | Chigago |
| Periode | 08/10/2007 → 10/10/2007 |
Emneord
- udstilling
- oplevelsesdesign
- marinecenter
- interaktivt møbel
Kunstnerisk udviklingsvirksomhed (KUV)
- Nej
Citationsformater
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver
}
2007. Afhandling præsenteret på Designing for User Experience (DUX), Chigago, USA.
Publikation: Konferencebidrag › Paper › Forskning › peer review
TY - CONF
T1 - Peephole Experiences
T2 - Designing for User Experience (DUX)
AU - Dindler, Christian
AU - Krogh, Peter
AU - Beck, Sofie
AU - Stenfelt, Liselott
AU - Nielsen, Kaspar Rosengren
AU - Grønbæk, Kaj
N1 - Publiceret i "Proceeding DUX '07 Proceedings of the 2007 conference on Designing for User eXperiences" (ISBN: 978-1-60558-308-2). Article no. 20. This paper discusses the principle of Peepholes in the context of aesthetics of interaction. The idea of Peepholes is to stimulate curiosity, imagination, and exploration by allowing users access to only a small part of a larger universe. The paper discusses the development and first evaluation of a concrete instance of the Peephole principle for a marine centre, where Peepholes are designed as mixed reality Hydroscopes to study a digital ocean universe with fish and other undersea phenomena. The design and evaluation of the Hydroscope installation is discussed and issues for future design are outlined. Following this discussion, we move to consider the concept of Peepholes in relation to interaction design and aesthetics of interaction more generally and outline four central dimensions of peepholes: the senses, the social, the spatiality, and the tangibility.
PY - 2007
Y1 - 2007
N2 - AbstractThis paper discusses the principle of Peepholes in the context of aesthetics of interaction. The idea ofPeepholes is to stimulate curiosity, imagination, and exploration by allowing users access to only a smallpart of a larger universe. The paper discusses the development and first evaluation of a concrete instanceof the Peephole principle for a marine centre, where Peepholes are designed as mixed reality Hydroscopes tostudy a digital ocean universe with fish and other undersea phenomena. The design and evaluation of theHydroscope installation is discussed and issues for future design are outlined. Following this discussion, wemove to consider the concept of Peepholes in relation to interaction design and aesthetics of interaction moregenerally and outline four central dimensions of peepholes: the senses, the social, the spatiality, andthe tangibility.
AB - AbstractThis paper discusses the principle of Peepholes in the context of aesthetics of interaction. The idea ofPeepholes is to stimulate curiosity, imagination, and exploration by allowing users access to only a smallpart of a larger universe. The paper discusses the development and first evaluation of a concrete instanceof the Peephole principle for a marine centre, where Peepholes are designed as mixed reality Hydroscopes tostudy a digital ocean universe with fish and other undersea phenomena. The design and evaluation of theHydroscope installation is discussed and issues for future design are outlined. Following this discussion, wemove to consider the concept of Peepholes in relation to interaction design and aesthetics of interaction moregenerally and outline four central dimensions of peepholes: the senses, the social, the spatiality, andthe tangibility.
KW - udstilling
KW - oplevelsesdesign
KW - marinecenter
KW - interaktivt møbel
KW - Exhibition
KW - Experience design
KW - Marine centre
KW - Interactive furniture
M3 - Paper
Y2 - 8 October 2007 through 10 October 2007
ER -