Reading into Greenland Marble: "a noble Danish material"

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Abstract

This paper explores the politics and ideology behind the Danish-led extraction of marble from western Greenland in the 1930s. Although quarried for only six years, the material became a conspicuous symbol in a state-sponsored vision of modernity that exploited exotic places and cultures for the formation of welfare state institutions within Denmark. In Copenhagen several landmark public buildings made prominent use of it, and in Greenland a significant step was taken toward the industrialization of society through state investment into mechanized resource extraction. This unity between colonizer and colonized, the individual and community, and society and technology, followed Thorvald Stauning's program of a pragmatic, consensus government in service to society. Architects' more skeptical view seems to have been driven by a competing vision of modernity that relied on new materials, such as poured-in-place concrete, and an architectural agenda that diminished classical monumentality in favor of functionalist spatial programmes, simple formal strategies, and unadorned building surfaces. Ultimately, the quarrying of marble by Danish interests in Greenland during the 1930s demonstrates how the perception of material qualities cannot be separated from the narrative surrounding the origin of the material.
Original languageEnglish
Title of host publicationImaginaries on Matter: Tools, Materials, Origins
EditorsCarolina Dayer, Thomas Bo Jensen, Jonathan Foote
Number of pages13
PublisherAADR Art Architecture Design Research
Publication date2023
Pages179-192
ISBN (Print)9783887786373
Publication statusPublished - 2023

Keywords

  • Greenland
  • architecture
  • marble
  • colonialism
  • material identity

Artistic research

  • No

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