Abstract
This article presents two kitchen designs from the immediate post-war period - one by Swiss French architect Le Corbusier and the other by the Danish artists Asger Jorn and Erik Nyholm. These two works present a different understanding of the hegemony of design and designer versus the user. Both their notion of a proactive engagement with the user as well as the relationship of form, colour and use in their schemes reveal their respective positions in the past-war discussion of a Synthesis of the Arts in Paris.
Original language | English |
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Journal | Oase |
Issue number | 96 |
Pages (from-to) | 51-57 |
Number of pages | 7 |
ISSN | 0169-6238 |
Publication status | Published - 1 May 2016 |
Keywords
- Synthesis of the Arts
- Postwar Avantgarde in Architecture
- User appropriation
- Social poetics
Artistic research
- No