Abstract
Danish architect Vilhelm Wohlert (1920-2007), after a stay as a guest teacher at Berkeley University, designs his first building. Created in a period of flourishing architectural, it achieves a balance between Danish tradition and modernity, where international references -American architecture and Japanese tradition- will be significant. Its ability to fit to the circumstances, makes it a model for the buildings of the future. There is a dialogue with the surrounding nature, her careful observation; establishing a great connection, where the Danish attitude towards her is not a domination. The architect knows the material, and uses it in harmony with its essence. The study suggests that the vernacular may be a process that evolves and transforms over time, involving a significant level of modernity, and that a look at it could be an answer to prevent the loss of architecture identity.
| Original language | English |
|---|---|
| Journal | GE Conservation |
| Volume | 1 |
| Issue number | 11 |
| Pages (from-to) | 95-101 |
| Number of pages | 7 |
| ISSN | 1989-8568 |
| DOIs | |
| Publication status | Published - 2017 |
| Externally published | Yes |
Keywords
- Vilhelm Wohlert
- Danish tradition
- Japanese tradition
- Nature
- Material
- vernacular
- Vernacular architecture
- Architectural Analysis
- Architectural Design
Artistic research
- Yes
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