Yet Unborn Realities: Imprints of Possibility in Khaled Jarrar’s ‘State of Palestine’ Stamp

Runa Johannessen

Yet Unborn Realities: Imprints of Possibility in Khaled Jarrar’s ‘State of Palestine’ Stamp

Publikation: Bidrag til tidsskrift › Konferenceartikel › Forskning › peer review

Abstract

The scope of this paper is to inquire into a moment of friction between reality and possibility; the present and the future; the actual and the fictional, in a context pertaining to the Israel-Palestine conflict. The point of departure is an artwork by the Palestinian artist Khaled Jarrar. My encounter with his work evoked an aesthetic experience of hesitant uncertainty parallel to particular encounters with a mechanism invoking such uncertainties in real life, namely the passport control

Originalsprog	Engelsk
Tidsskrift	Paragrana
Vol/bind	25
Udgave nummer	2
Sider (fra-til)	125-134
Antal sider	10
ISSN	0938-0116
Status	Udgivet - 1 dec. 2016
Udgivet eksternt	Ja

Kunstnerisk udviklingsvirksomhed (KUV)

Nej

Andre filer og links

https://forskning.ku.dk/soeg/result/?pure=da%2Fpublications%2Fyet-unborn-realities(dde8e892-cd99-4183-98d8-f7ea71383c96).html

Citationsformater

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title = "Yet Unborn Realities: Imprints of Possibility in Khaled Jarrar{\textquoteright}s {\textquoteleft}State of Palestine{\textquoteright} Stamp",

abstract = "The scope of this paper is to inquire into a moment of friction between reality and possibility; the present and the future; the actual and the fictional, in a context pertaining to the Israel-Palestine conflict. The point of departure is an artwork by the Palestinian artist Khaled Jarrar. My encounter with his work evoked an aesthetic experience of hesitant uncertainty parallel to particular encounters with a mechanism invoking such uncertainties in real life, namely the passport control",

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AB - The scope of this paper is to inquire into a moment of friction between reality and possibility; the present and the future; the actual and the fictional, in a context pertaining to the Israel-Palestine conflict. The point of departure is an artwork by the Palestinian artist Khaled Jarrar. My encounter with his work evoked an aesthetic experience of hesitant uncertainty parallel to particular encounters with a mechanism invoking such uncertainties in real life, namely the passport control

UR - https://forskning.ku.dk/soeg/result/?pure=da%2Fpublications%2Fyet-unborn-realities(dde8e892-cd99-4183-98d8-f7ea71383c96).html

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