Abstract
In a world of spectacle and object fetishism, Kay Fisker’s housing stands as a quiet but powerful alternative. Through a phenomenological reading of nine buildings in Copenhagen, this article argues that Fisker’s subtle material vocabulary – vibrant materiality, subtle movement, and compact whole – offers not just an architectural corrective, but a model for sustainable building culture in a biophysically constrained world.
| Originalsprog | Engelsk |
|---|---|
| Artikelnummer | 10 |
| Tidsskrift | Magasin for Bygningskunst og Kultur |
| Vol/bind | 11 |
| ISSN | 2597-3126 |
| Status | Udgivet - 2026 |
Emneord
- Kulturarv
- Transformation
- Restaurering
- Bæredygtighed
- Bygningskunst
Kunstnerisk udviklingsvirksomhed (KUV)
- Nej
Citationsformater
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver