Fragments of Intuition

Anders Kruse Aagaard; Niels Martin Larsen

Fragments of Intuition

Anders Kruse Aagaard, Niels Martin Larsen

Arkitektskolen Aarhus

Publikation: Konferencebidrag › Paper › Forskning › peer review

Abstract

Bachelard’s differentiation of formal imagination and material imagination is a
differentiation between acquired knowledge from our physical world and a type of imagination that comes from our individual, immediate associations, daydreams or reveries emerging through the tactile meetings with materials.
Fragments of Intuition applies Bachelard’s idea of material imagination as an abstract frame of reference for a series of experiments. The process aims to investigate the interiority of the material, as we draw on our immediate associations with the material at hand. The use of tools and machinery for studying the materiality of wood becomes a way of contemplation.

Originalsprog	Dansk
Publikationsdato	nov. 2019
Antal sider	1
Status	Udgivet - nov. 2019
Begivenhed	WORKS+WORDS 2019: Biennale for kunstnerisk udviklingsvirksomhed i arkitektur - The Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation (KADK), Copenhagen, Danmark Varighed: 28 nov. 2019 → 19 jan. 2020 Konferencens nummer: 2 https://kadk.dk/workswords

Konference

Konference	WORKS+WORDS 2019
Nummer	2
Lokation	The Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation (KADK)
Land/Område	Danmark
By	Copenhagen
Periode	28/11/2019 → 19/01/2020
Internetadresse	https://kadk.dk/workswords

Emneord

natural wood
material exploration

Kunstnerisk udviklingsvirksomhed (KUV)

Ja

Adgang til dokumentet

https://kadk.dk/sites/default/files/downloads/event/workswords_2019_-_final_28.11.19_0.pdf

1 Bidrag til udstilling

Fragments of Intuition
Kruse Aagaard, A. & Larsen, N. M., 28 nov. 2019
Publikation: Bidrag der ikke har en tekstform › Bidrag til udstilling › Forskning › peer review

Citationsformater

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N2 - Bachelard’s differentiation of formal imagination and material imagination is adifferentiation between acquired knowledge from our physical world and a type of imagination that comes from our individual, immediate associations, daydreams or reveries emerging through the tactile meetings with materials. Fragments of Intuition applies Bachelard’s idea of material imagination as an abstract frame of reference for a series of experiments. The process aims to investigate the interiority of the material, as we draw on our immediate associations with the material at hand. The use of tools and machinery for studying the materiality of wood becomes a way of contemplation.

AB - Bachelard’s differentiation of formal imagination and material imagination is adifferentiation between acquired knowledge from our physical world and a type of imagination that comes from our individual, immediate associations, daydreams or reveries emerging through the tactile meetings with materials. Fragments of Intuition applies Bachelard’s idea of material imagination as an abstract frame of reference for a series of experiments. The process aims to investigate the interiority of the material, as we draw on our immediate associations with the material at hand. The use of tools and machinery for studying the materiality of wood becomes a way of contemplation.

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